Ever since last week’s startling revelation of the obvious—that Thursday is my Monday—my time has been a lot less hectic. Actually, all the hecticness has reduced massively. I realise now that the hectic feeling is just that, a feeling.
It comes down to how I’d framed things—mindset if you will. I set out with Monday to Sunday as my set week, even though that hasn’t reflected my reality for some time now, and that caused me to chase my tail constantly. Now that I’ve reframed my week, it’s like I have a wee bit more time to work, to go out to play on the bikes, to unwind.
With that, here’s the week in review.
Review 3rd to 9th June 2021
My Writing Goals for Last Week
- Complete Editorial Pass for Character (6/7) from Sparking Story Drafts by H. R. D’Costa
- Action Step (AS) 36
- AS 37
- AS 38a
- AS 38b
- AS 38c
- AS 38d
How Did I Do?
I didn’t complete the whole pass, but then I knew the goal was over-ambitious. However, I did get to the end of AS 38a, taking me to around 65% of the way through the pass.
How Do I Feel About That?
I’m happy with where I got to last week. Some of it—AS 36, where I was devising extra obstacles for scenes—was time-consuming and a strain on concentration, but I remedied that strain by reinstating the *Pomodoro Technique and finally got it done.
Other parts were faster to complete than I’d expected. AS 37 was one of the quick steps. In AS 37, I went through the outline, searching for and fixing any points where I’d sacrificed character. These aren’t literal sacrifices. There are numerous forms of sacrifice to correct, for instance, where a character does something for the sake of the plot and not because it’s in their nature.
For example, a character has major sexual hangups and has stated numerous times that no matter how into someone they are, they can’t initiate sex. BUT, because the writer needs the sex to happen for the plot, the character suddenly has zero hangups and is almost aggressive in pursuing sexual contact. Of course, that’s an over-the-top example, but it happens all the time on TV shows.
Another form of character sacrifice crops up when it’s needed for genre. Think about how mad you get when you watch a horror movie, and the seemingly intelligent hero(ine) ignores the backdoor that leads to safety and instead sprints up the stairs, trapping themselves with the bad guy/beastie.
Action Step 38a was a fun task. After running through the outline, I made a character pyramid. This was a new term and a new tool for me. Basically, there are three levels within the character pyramid: 1 = main character(s) (MCs); 2 = MC’s allies; 3 = love interests or, as I’m writing a dual-protagonist romance, I’ve put critical lower-level allies and family into this level.
*The Pomodoro Technique, if you haven’t heard of it, is where you set a timer for twenty-five minutes. For the entire duration of the timer, you focus on nothing but your task. At the end of the timer, you get a five-minute break—long enough to pour another coffee.
This Week’s Goal
- Complete Editorial Pass #6 (of 7): Character (Sparkling Story Drafts) for Working The Asset.
- AS 38b
- AS 38c
- AS 38d
- Start Editorial Pass for Odds and Ends (Final Pass!)
- AS 39a
|Friday||AS 38b (add new scenes) and Blog post|
|Saturday||Read chapter 42 of Sparkling Story Drafts (SSD); AS 38c|
|Sunday||AS 38d; read Part VII of SSD; read chapter 43 SSD|
|Tuesday||Day off–bike ride|
|Wednesday||Day off–bike ride|
Have you ever used timers to aid concetration, or to just get a task done? Do you have other methods to get you through tough jobs?
Until next week, thanks for stopping by, and take care.